Wednesday, 30 December 2015

Contrasting Monologues

Olga gave me a monologue to look at for contemporary, but when I spoke to Ella she mentioned that I use it for contrasting instead. This particular monologue is from the play 'A Doll's house'.

A Doll's House (NorwegianEt dukkehjem; also translated as A Doll House) is a three-act play in prose by Henrik Ibsen. It premiered at the Royal Theatre in Copenhagen, Denmark, on 21 December 1879, having been published earlier that month.
The play is significant for its critical attitude toward 19th-century marriage norms. It aroused great controversy at the time, as it concludes with the protagonist, Nora, leaving her husband and children because she wants to discover herself. Ibsen was inspired by the belief that "a woman cannot be herself in modern society," since it is "an exclusively male society, with laws made by men and with prosecutors and judges who assess feminine conduct from a masculine standpoint." Its ideas can also be seen as having a wider application: Michael Meyer argued that the play's theme is not women's rights, but rather "the need of every individual to find out the kind of person he or she really is and to strive to become that person." In a speech given to the Norwegian Association for Women's Rights in 1898, Ibsen insisted that he "must disclaim the honor of having consciously worked for the women's rights movement," since he wrote "without any conscious thought of making propaganda," his task having been "the description of humanity."
In 2006, the centennial of Ibsen's death, A Doll's House held the distinction of being the world's most performed play for that year. UNESCO has inscribed Ibsen's autographed manuscripts of A Doll's House on the Memory of the World Register in 2001, in recognition of their historical value.
Olga told me to particularly look at a monologue from the character 'Nora'. 
And I found this:
Nora:
It is perfectly true, Torvald. When I was at home with papa, he told me his opinion about everything, and so I had the same opinions; and if I differed from him I concealed the fact, because he would not have liked it. He called me his doll-child, and he played with me just as I used to play with my dolls. And when I came to live with you—
I mean that I was simply transferred from papa's hands into yours. You arranged everything according to your own taste, and so I got the same tastes as you--or else I pretended to, I am really not quite sure which--I think sometimes the one and sometimes the other.
When I look back on it, it seems to me as if I had been living here like a poor woman--just from hand to mouth. I have existed merely to perform tricks for you, Torvald. But you would have it so. You and papa have committed a great sin against me. It is your fault that I have made nothing of my life.
You neither think nor talk like the man I could bind myself to. As soon as your fear was over--and it was not fear for what threatened me, but for what might happen to you--when the whole thing was past, as far as you were concerned it was exactly as if nothing at all had happened.
Exactly as before, I was your little skylark, your doll, which you would in future treat with doubly gentle care, because it was so brittle and fragile. Torvald--it was then it dawned upon me that for eight years I had been living here with a strange man, and had borne him three children--. Oh! I can't bear to think of it! I could tear myself into little bits!
'In this definitive scene, the naïve yet often contriving Nora has a startling epiphany. She once believed that her husband was a proverbial knight in shining armor, and that she was an equally devoted wife.
Through a series of emotionally draining events, she realizes that their relationship and their feelings were more make believe than real.
In this monologue from Henrik Ibsen’s play, she opens up to her husband with stunning frankness as she realizes that she has been living in "A Doll’s House."'

Below, are videos posted on youtube of the play "A doll's house" performed by the students at The Balhaven University.



And there is also an audiobook of the play available on YouTube:


1 comment:

  1. Dear Corrina can you tell me what you actually thought about 'A Dolls House'? Did you like it? Does it suit you? Please could you do the same as you did with 'The Weir'. Keep up the good work but just have a little look at your spelling and grammar please.

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